My move to Fujifilm wasn’t done on a whim and a fancy. I’ve been looking at the system for some time and actually shot a wedding with a borrowed X-T1. Unfortunately, at that stage it had too many limitations when compared to the setup I owned. Things like battery life and image quality weren’t up to scratch and a move seemed unlikely…



When photographing my cousin’s baby shower, she asked me if I had taken the photo. I said yes and she said that was so fast. I asked her what she meant. She replied that she did not hear the click. (remember that i am deaf) I realised i had set the camera to the ES mode (electronic shutter) so the shutter is silent. I changed it back to the MS mode (Mechanical shutter)…



People call me Krispy. (Chris P)uren

It started many years ago. My friend and I went out for drinks when her mom called and asked her where she was. She said she was out having drinks with “Chris”. Her mom asked which Chris (In the town I grew up there were a lot of us) and she said “Chris Puren”. All her mom heard was Chrispy. The name stuck haha!



My journey into photography started when I left school to go study Graphic Design. I instantly fell in love with the art. In those days I was shooting on a Minolta Dynax on black and white film and then developing the images myself in the darkroom… It’s a method that teaches you a lot about getting composition and lighting right before you press the shutter….

THE BIG SWITCH – Why I moved to Fujifilm

THE BIG SWITCH – Why I moved to Fujifilm

I was first introduced to the Fujifilm XT-1 in 2015 when Karlien Murray from AtPhoto brought her body for me to try out. Having seen many positive reviews on the colour rendition of the model, I found myself really impressed by what this little camera could deliver. I promptly ordered one alongside the f1.2 56mm lens - the combination was incredible, and I loved shooting personal projects with the combo…

Greg Liss - This too shall pass

The good, the bad, the bold, the delicate, all these fleeting moments are well… fleeting. And I want to be there with my camera to record them all. Whether it’s a bride walking down the isle, the in between giggle from a model revealing her true beautiful smile, or a holiday trip with my partner, these moments tell a story. I feel a contrasting pull to dive into camera in those moments, but also to be there present and engaged without constantly living through the viewfinder or back of the screen. So my solution to capture and not disconnect in the moment…shoot fast.

Now that might sound silly, but my Fujifilm camera has helped me to do just that. With the EVF (electronic view finder) I’m able to see exactly what my image will look like even before I press the shutter. No more ‘chimping’, just quicker shooting to get the moment and keep engaged in it. That way I miss less and stay aware of what’s happening around me.

I’ve been shooting for 7 years now and feel super fortunate to be doing what I enjoy full time, along with lecturing part time at Orms Cape Town School of Photography, where I studied 7 years ago. I photograph a wide variety of genres, mainly Weddings, Events and Fashion. I strongly believe in studying in a methodical way, and even though today with easy access to info via Google and YouTube, often you don’t know what you don’t know. I found it tremendously useful to systematically learn different skills that cover a wide range of photographic genres that I most likely would of skipped over if I was just Googling what I like. So my one recommendation regarding self study, is don’t be tempted to pick and choose what to learn. Start simple and build and learn even what you don’t think is “flashy” as I have used those less exciting skills many times and been grateful for acquiring them.

My journey has not been a solo act. I have grown by having talented people around me that inspire and push me. I have a great community of photographers around me that share the same passions and struggles and it’s a great reminder that I’m not in this alone. No man is an island… surround yourself with talented people.

I’ve built my visual literacy by instead of just scrolling past dozens of images of other inspirational photographers, asking the question “What do I like about this photo?” Learning to crit and not just consume has helped me hone in to how I want to shoot.

So capture the moment, learn and keep learning and crit what you see to build an internal library for yourself. Happy shooting.

You can see more of my work on these various platforms:





Henry Engelbrecht - Live Band Photography

I am Henry Engelbrecht and I am a FujiFilm user.

I am an IT consultant by day and a music photographer by night. Attending live shows and photographing them is a hobby that gives me a creative outlet which I desperately need.

I love to watch the creative process that unfolds when a band makes music on a stage, and it is my mission to try and capture something of those special moments that take place there. My favourite shows are the wild, rowdy and intimate ones in smaller venues, because that is where the magic really happens.

What makes band photography so interesting and rewarding for me is the fact that you never really know what you are going to get, and you never have any control over the lighting or what happens during the performance. Most of the time it is like trying to take photos of people running around in a very dark room, and it takes patience and experience (with some luck) to extract something out of those difficult situations.

My favourite photos are the ones that tell the story of the event, which shows the relationship between the band members on stage and the relationship between the band and the crowd. To get those photos you must sometimes insert yourself into the crowd, become a part of the event, which is fun but not always easy to do.

I believe that my mirrorless Fujifilm cameras are the perfect tools to capture these moments. The fact that I can see what I am shooting enables me to focus on the important stuff, like timing and composition, because I have to worry less about technical stuff like exposure and camera settings.

Find out more:

- Facebook: www.facebook.com/livemusicimages

- Instagram: @henry.engelbrecht

Brad Donald - Street Documentary Photography

I am a full time wedding, portrait, corporate, event…  (the list goes on) photographer based in Joburg. My journey started back in high school when I got my first camera and joined the Photo-Society. This was where my interest kicked off and my passion grew.

I was lucky enough to work as a photographer and then Visuals Editor for the University of Pretoria's newspaper, Perdeby where I worked for over 3 years. This was my biggest and best learning curve as I was exposed to so many new things and people which all aided in my growth as a photographer.   

Despite all of my work on the professional side, I have a keen interest in Street and Documentary photography.

Ask anyone and you’ll probably get a different answer to “what is street photography?” Most photographers would say that it is capturing the raw emotions and expressions of people in their everyday lives. Others would say that it is strictly based on their urban environments such as the inner city and only on the “street”. However, combine both of these elements and you’ll have a pretty solid concept.

Basically, it is capturing pictures of people on the streets or in their daily lives. Ideally this should be done in a way that the person is unaware and as candid as possible.

You want to eliminate the “interaction” of the photographer and leave a scene un-manipulated. To capture an image of a person interacting with their environment in one way or another is the true side of street photography.

To check out more of work or to collaborate check me out on my social media channels:

Instagram: @brad3rs

Email: brad3rs@hotmail.com